2019 PRODUCTIONS
Herringbone
| By Tom Cone, Skip Kennon and Ellen Fitzhugh | Produced By Squabbalogic | Kings Cross Hotel |
| Director: Jay James-Moody & Michael Ralph | Musical Director: Benjamin Kiehne | Set and Lighting Designer: Benjamin Brockman
Hero Pig
| By Qian Jian Hua | Produced By City of Sydney | Sydney Opera House |
| Lighting Designer: Benjamin Brockman
King
| By Shaun Parker & Company | Produced By Shaun Parker & Company | Seymour Centre |
| Director/Choreographer: Shaun Parker | Lighting Designer: Benjamin Brockman
Angels In America Part I & II
| By Tony Kushner | Produced By Apocalypse Theatre Company | Old Fitz Theatre |
| Director: Dino Dimitriadis | Set Designer: Jeremy Allen | Costume Designer: Maya Keys | Lighting Designer: Benjamin Brockman | Photography By Robert Catto
Jess & Joe Forever
| By Zoe Cooper | Produced By Sugary Rum Productions | Downstairs Belvoir |
| Director: Shaun Rennie | Set and Costume Designer: Isabel Hudson | Lighting Designer: Benjamin Brockman |
The Cripple of Inishmaan
| By Martin McDonagh | Produced By Mad March Hare | Old Fitz Theatre |
| Director: Claudia Barrie | Set Designer: Brianna Russell | Costume Design: Emily Brayshaw | Lighting Designer: Benjamin Brockman
Girl in the Machine
| By Stef Smith | Produced By NTOP | Lennox Theatre |
| Director: Claudia Barrie | Set and Costume Designer: Ella Buttler | Lighting Designer: Benjamin Brockman
Good Omens the Musical Development
| Music & Lyrics by Vicki Larnach. Book by Jim Hare, Jay James-Moody & Vicki Larnach.| Produced By Squabbalogic | Bruce Gordon |
| Director: James Jay Moody | Set and Lighting Designer: Benjamin Brockman
Razorhurst
| Book & Lyrics by Kate Mulley Music by Andy Peterson| Produced By Hayes Theatre Company | Hayes Theatre |
| Director: Benita De Wit | Set and Costume: Isabel Hudson | Lighting Designer: Benjamin Brockman
Omar and Dawn
| By James Elazzi | Produced By Apocalypse and Green Door Theatre Company | Kings Cross Theatre |
| Director: Dino Dimitriadis | Set and Costume: Aleisa Jelbart | Lighting Designer: Benjamin Brockman | Photography by Robert Catto |
On the Waters Edge
| Produced By Legs on the Wall and Edge Festival | Greenway Park Lillyfeild |
| Director: Joshua Thomson and Dave Jackson | Lighting Designer: Benjamin Brockman
On the Waters Edge
| Produced By Legs on the Wall and Edge Festival | Greenway Park Lillyfeild |
| Director: Joshua Thomson and Dave Jackson | Lighting Designer: Benjamin Brockman
The Raft Development (2)
| Produced By Legs on the Wall | Redbox Theatre|
| Director: Joshua Thomson and Gavin Webber | Set Designer : Genevieve Blanchett | Lighting Designer: Benjamin Brockman
Farnace
| By Antonio Vivaldi | Produced By Pinchgut Opera | Sydney City Recital Hall |
| Director: Mark Gaal | Set Designer: Isabel Hudson | Lighting Designer: Benjamin Brockman
Coram Boy
| Adapted by Helen Edmundson | Produced By Bakehouse Theatre | Kings Cross Theatre |
| Director: John Harrison & Michael Dean | Lighting Designer: Benjamin Brockman
The Underpants
| By Steve Martin adapted from Carl Sternheim | Produced By Sugary Rum Productions | Reginald Theatre Seymour Centre |
| Director: Anthony Gooley | Set and Costume Designer: Anna Gardiner | Lighting Designer: Benjamin Brockman
Splinter
| By Hillary Bell | Produced By Griffin Theatre Company | SBW Stables |
| Director: Lee Lewis | Set and Costume Designer: Tobhiyah Feller | Lighting Designer: Benjamin Brockman