Visiting Hours

| By Con Costi & John Harrison | Produced By Bakehouse Theatre Company | Kings Cross Hotel |

| Director: John Harrison & Michael Dean | Set & Costume Designer: Anna Gardiner | Designer Lighting: Benjamin Brockman 

Ariodante

| By Handel  | Produced By Appolo Opera Collective | Mary Immaculate Church  |

| Director: Anthea Hewett  | Set & Lighting Designer: Benjamin Brockman |

 
Metamorphoses 

| By Mary Zimmerman | Produced By Apocalypse Theatre Company | Old Fitz Theatre  |

| Director: Dino Dimitriadis  | Set & Costume Designer: Jonathan Hindmarsh | Lighting Designer: Benjamin Brockman | Photography: Robert Catto

 
Greater Sunrise 

| By Zoe Hogan | Produced By 25A | Downstairs Belvoir  |

| Director: Jules Patey  | Set & Costume Designer: Tyler Halkins | Lighting Designer: Benjamin Brockman |

 
Carmen, Live or Dead 

| Written by Craig Harwood, Music and Lyrics by iOTA | Produced By Oriel Entertainment | Hayes Theatre |

| Director: Shaun Rennie  | Set & Costume Designer: Dan Barber | Lighting Designer: Benjamin Brockman |

 
Frankenstein 

| Written by Nick Dare | Produced By Cranbrook School | AMT Theatre |

| Director: Ed Boyle  | Set Designer: Adam Lindburg | Lighting Designer: Benjamin Brockman |

 
Dresden

| By Justin Flemming | Produced By Bakehouse Theatre Company | Kings Cross Hotel |

| Director: Suzanne Millar | Set & Costume Designer: Patrick Howe | Lighting Designer: Benjamin Brockman 

 
 
Cats Cradle

| By Josh Thompson | Produced By Legs on the Wall | Lennox Theatre  |

| Director: Josh Thompson  | Set Designer: David Jackson | Lighting Designer: Benjamin Brockman 

You Got Older

| By Claire Barron | Produced By Mad March Hare | Kings Cross Theatre  |

| Director: Claudia Barrie | Set Designer: Isabel Hudson | Lighting Designer: Benjamin Brockman 

 
The Girl / The Woman

| By Aanisa Vylet | Produced By National Theatre of Parramatta | Lennox Theatre  |

| Director: Dino Dimitriadis | Set Designer: Jonathan Hindmarsh | Lighting Designer:  Benjamin Brockman | Photography: Robert Catto

 
Torch Song Trilogy

| By Harvey Firestine | Produced By Darlinghurst theatre Company | Eternity Playhouse  |

| Director: Stephen Colyer | Set Designer: Imogen Ross | Lighting Designer: Benjamin Brockman 

 
Le Voyage

| Produced By Steps and Holes Theatre Company | Legs on the Wall  |

| Director: Joe Turner | Set Designer: Sabrina Myers |  Lighting Designer: Benjamin Brockman 

 
Letters to an Unborn Child

| Produced By Brown Paper Circus | Legs on the Wall  |

| Director: David Jackson | Lighting Designer: Benjamin Brockman 

 
 
Street of Street of Crocodiles

| By Complicité | Produced by AFTT | Down Stairs Belvoir |

| Director: Anthony Skuse |  Lighting Designer : Benjamin Brockman 

Eurydice

| By Sarah Ruhl | Produced by Mad March Hare | Old Fitz  |

| Director: Claudia Barrie |  Designer: Isabel Hudson | Lighting Designer: Benjamin Brockman 

 
100 Reasons for War

| By Tom Holloway | Produced by AFTT | Down Stairs Belvoir |

| Director: Luke Rodgers |  Lighting and Set Designer: Benjamin Brockman 

 
The Raft (Development)

 | Produced by Legs on the Wall | Red Box |

| Director: Joshua Thompson & Gavin Webber |  Lighting Designer: Benjamin Brockman | Photography: Robert Catto

 
Peter Pan 

 |  By James Matthew Barrie  | Lighting & Set Designer: Benjamin Brockman 

 
NIDA Musical Theatre Diploma Showcase

 | Produced by NIDA | Parade Playhouse |

| Director: Phillip Quast |  Set Designer: Isabel Hudson | Lighting Designer: Benjamin Brockman 

 
NIDA Stage and Screen Diploma Showcase

 | Produced by NIDA | Parade Playhouse |

| Director: Alex Berlarge |  Set Designer: Isabel Hudson | Lighting Designer: Benjamin Brockman 

 
Grease 

 |  By Jim Jacobs and Warren Casey | Set Designer: Nick Fry | Lighting Designer: Benjamin Brockman