2014 PRODUCTIONS

Wittenberg

| By David Davlos | Produced By Brevity Theatre Company | The Old Fitz |

| Director: Richard Hilliar ​| Set & Lighting Designer: Benjamin Brockman | 

 

Fully Committed

| By Becky Mode | Produced By Brevity Theatre Company | The Old Fitz |
| Director: Alexander Butt ​| Set: Designer Alexander Butt | Lighting Designer: Benjamin Brockman | 

 

 
Doomsday Devices

| By Andy Harmsen | Produced By Sly Rat Theatre Company | Revolt Theatre |
| Director: Alan Chambers ​| Set & Lighting Designer: Benjamin Brockman |

 

 
Cough

| By Emily Clader | Produced By Unhappen | 107 Projects |
| Director: James Dalton​ | Set Deigner: Becky Dee Tavern | Lighting Designer: Benjamin Brockman |

 

 
Music

| By Jane Bodie | Produced By Stories Like These apart of Griffin Theatre Indapendant Season | SBW Stables |
| Director: Corey McMahon​ | Set Deigner: Pip Runciman | Lighting Designer: Benjamin Brockman And Verity Hampson |

 

 
Becket

| By Jean Anouilh | Produced By Sydney Grammar | Sydney Grammar Paladrium Theatre |
| Director: Peter Rudge​ | Set Deigner: Michael Hankin | Lighting Designer: Benjamin Brockman |

 

 
Machine

| A Creative Development | Produced By Eclective Production | Old 505 Theatre
| Director: Rachel Chant​ | Set Deigner: Rachel Scane | Lighting Designer: Benjamin Brockman |

 

 
La Cage Aux Folles

| Book by Harvey Fierstein with lyrics and music by Jerry Herman | Produced By Sydney Grammar | AMT Theatre |

| Director: Bron Williams ​ | Set & Lighting Designer: Benjamin Brockman | Costume Design: Georgia Hopkins |

 

 
My Name Is Truda Vitz

| By Olivia Satchell | Produced By Somersault Theatre Company | Tap Gallery Theatre |
| Director: Pierce Wilcox​ | Set & Costume Design: Isabella Andronos | Lighting Design: Benjamin Brockman |

 

 
Awkward Conversations With Animals I Have Fucked 

| By Rob Hayes | Produced By Unhappen | Bondi Feast 2014 Ocean Room |
| Director: Jimmy Dalton | Lighting Design: Benjamin Brockman |

 

 
Mr. Kolpert 

| By David Gieselmann Translated by David Tushingham | Produced By Pants Guys and ATYP | ATYP Studio 1 |
| Director: Jimmy Dalton | Lighting Design: Benjamin Brockman |

 

 
Scene from an Execution 

| By Howard Barker | Produced By Tooth and Sinew | Old Fitz Theatre |
| Director: Richard Hilliar | Set Design: Andrea Espinoza | Lighting Design: Benjamin Brockman |

 

 
Motherfucker with a Hat 

| By Stephen Adly Guirgis | Produced By Workhorse Theatre company and DTC | Eternity Playhouse |
| Director: Adam Cook | Set Design: Dylan Tolkin | Lighting Design: Benjamin Brockman |

 

 
Four Dogs and a Bone

| By John Patrick Shanley | Produced By Breif Candle Productions | Old Fitz Theatre |
| Director: Kate Gaul | Lighting Design: Benjamin Brockman |

 

 
Little Women the Opera 

| Words and Mucis by Mark Adamo | Produced By Conservatorium of Music | Music Work Shop Theatre |

| Director: Nell Yeo | Set Design: Andrea Espinoza | Lighting Design: Benjamin Brockman |

 

 
Kill the PM 

| By Fregmonto Stokes | Produced By Unhappen  | Old 505 |

| Director: James Dalton | Set Design: Dylan Tolkin | Lighting Design: Benjamin Brockman |

 

 
Europe 

| By Michael Gow | Produced By Slip of the Tounge | Reginald Theatre, Seymour Center |

| Director: James Beach | Set Design: Andrea Espinoza | Lighting Design: Benjamin Brockman |

 

 
Awkward Conversations With Animals I Have Fucked 

| By Rob Hayes | Produced By Unhappen | Old 505 |

| Director: Jimmy Dalton | Lighting & Set Design: Benjamin Brockman |

 

 
November Spawned A Monster

| By Alex Broun | Produced By Fly on the Wall Theatre Co | Old Fitz |

| Director: Robert Chuter | Lighting & Set Design: Benjamin Brockman |

 

 
River

| By Claire Lovering | Old 505 |

| Director: Sarah Giles | Set Designer: Claire Lovering | Lighting Designer: Benjamin Brockman |

 
39 Steps

| By Patrick Barlow | Produced By Sydney Grammar | AMT Theatre |

| Director: Bron Williams | Lighting Designer: Benjamin Brockman |