2014 PRODUCTIONS
Wittenberg
| By David Davlos | Produced By Brevity Theatre Company | The Old Fitz |
| Director: Richard Hilliar | Set & Lighting Designer: Benjamin Brockman |
Fully Committed
| By Becky Mode | Produced By Brevity Theatre Company | The Old Fitz |
| Director: Alexander Butt | Set: Designer Alexander Butt | Lighting Designer: Benjamin Brockman |
Doomsday Devices
| By Andy Harmsen | Produced By Sly Rat Theatre Company | Revolt Theatre |
| Director: Alan Chambers | Set & Lighting Designer: Benjamin Brockman |
Cough
| By Emily Clader | Produced By Unhappen | 107 Projects |
| Director: James Dalton | Set Deigner: Becky Dee Tavern | Lighting Designer: Benjamin Brockman |
Music
| By Jane Bodie | Produced By Stories Like These apart of Griffin Theatre Indapendant Season | SBW Stables |
| Director: Corey McMahon | Set Deigner: Pip Runciman | Lighting Designer: Benjamin Brockman And Verity Hampson |
Becket
| By Jean Anouilh | Produced By Sydney Grammar | Sydney Grammar Paladrium Theatre |
| Director: Peter Rudge | Set Deigner: Michael Hankin | Lighting Designer: Benjamin Brockman |
Machine
| A Creative Development | Produced By Eclective Production | Old 505 Theatre
| Director: Rachel Chant | Set Deigner: Rachel Scane | Lighting Designer: Benjamin Brockman |
La Cage Aux Folles
| Book by Harvey Fierstein with lyrics and music by Jerry Herman | Produced By Sydney Grammar | AMT Theatre |
| Director: Bron Williams | Set & Lighting Designer: Benjamin Brockman | Costume Design: Georgia Hopkins |
My Name Is Truda Vitz
| By Olivia Satchell | Produced By Somersault Theatre Company | Tap Gallery Theatre |
| Director: Pierce Wilcox | Set & Costume Design: Isabella Andronos | Lighting Design: Benjamin Brockman |
Awkward Conversations With Animals I Have Fucked
| By Rob Hayes | Produced By Unhappen | Bondi Feast 2014 Ocean Room |
| Director: Jimmy Dalton | Lighting Design: Benjamin Brockman |
Mr. Kolpert
| By David Gieselmann Translated by David Tushingham | Produced By Pants Guys and ATYP | ATYP Studio 1 |
| Director: Jimmy Dalton | Lighting Design: Benjamin Brockman |
Scene from an Execution
| By Howard Barker | Produced By Tooth and Sinew | Old Fitz Theatre |
| Director: Richard Hilliar | Set Design: Andrea Espinoza | Lighting Design: Benjamin Brockman |
Motherfucker with a Hat
| By Stephen Adly Guirgis | Produced By Workhorse Theatre company and DTC | Eternity Playhouse |
| Director: Adam Cook | Set Design: Dylan Tolkin | Lighting Design: Benjamin Brockman |
Four Dogs and a Bone
| By John Patrick Shanley | Produced By Breif Candle Productions | Old Fitz Theatre |
| Director: Kate Gaul | Lighting Design: Benjamin Brockman |
Little Women the Opera
| Words and Mucis by Mark Adamo | Produced By Conservatorium of Music | Music Work Shop Theatre |
| Director: Nell Yeo | Set Design: Andrea Espinoza | Lighting Design: Benjamin Brockman |
Kill the PM
| By Fregmonto Stokes | Produced By Unhappen | Old 505 |
| Director: James Dalton | Set Design: Dylan Tolkin | Lighting Design: Benjamin Brockman |
Europe
| By Michael Gow | Produced By Slip of the Tounge | Reginald Theatre, Seymour Center |
| Director: James Beach | Set Design: Andrea Espinoza | Lighting Design: Benjamin Brockman |
Awkward Conversations With Animals I Have Fucked
| By Rob Hayes | Produced By Unhappen | Old 505 |
| Director: Jimmy Dalton | Lighting & Set Design: Benjamin Brockman |
November Spawned A Monster
| By Alex Broun | Produced By Fly on the Wall Theatre Co | Old Fitz |
| Director: Robert Chuter | Lighting & Set Design: Benjamin Brockman |
River
| By Claire Lovering | Old 505 |
| Director: Sarah Giles | Set Designer: Claire Lovering | Lighting Designer: Benjamin Brockman |
39 Steps
| By Patrick Barlow | Produced By Sydney Grammar | AMT Theatre |
| Director: Bron Williams | Lighting Designer: Benjamin Brockman |